Books and Journal Special Issues:

• Close Reading as Attentional Practice, with Ewan Jones (forthcoming 2024/5)
• Mind and Embodiment in Late Victorian Literature, with Atti Viragh (forthcoming 2024/5)
• Distracted Reading: Acts of Attention in the Age of the Internet, a special issue of Digital Humanities Quarterly 12.2 (2018).
• The Lyric Poem and Aestheticism: Forms of Modernity (Edinburgh University Press, 2016; issued in paperback, 2018).
• The Lyric Poem: Formations and Transformations (Cambridge University Press, 2013; issued in paperback, 2016).
• Michael Field, The Poet (1880-1914): Published and Manuscript Materials (Broadview Press, 2009). 400 pages. Arts and Humanities Research Council funded; and nominated for Modern Language Association 2011 Prize for a Distinguished Scholarly Edition.
• Michael Field’ (1880-1914): Poetry, Aestheticism, and the Fin de Siècle (Cambridge University Press, 2007; issued in paperback, 2010).
• Fin-de-Siècle Literary Culture and Women Poets, a special edition of Journal of Victorian Literature and Culture 34.2 (2006). 300 pages.
• Poetry of the 1890s (Penguin; Second Edition).

Essays and Articles:

• ‘Palgrave’s Golden Treasury: “Modern” poetry and a new Lyric Canon’, in Nineteenth-Century Literature in Transition: The 1860s, ed. Pamela K. Gilbert (Cambridge University Press, 2024), pp. 75-93.
• ‘Technologies of Attention: Cultural Forms and Attention Theory at the Turn of the Century’, in CUSP (Journal of Late 19^th– /Early 20^th-Century Cultures) 1.1 (Winter 2023), pp. 35-44. This was part of an award winning journal special issue (awarded Best New Journal by the Council of Editors of Learned Journals).
• ‘Aesthetic Perception and Embodied Cognition: Art and Literature at the Fin de Siècle’ (part of the AHRC-funded History of Distributed Cognition project), in Distributed Cognition in Victorian Culture and Modernism, ed. Miranda Anderson, Peter Garratt and Mark Sprevak (Edinburgh University Press, 2020), pp. 79-94.
• ‘Parnassian Cosmopolitanism: Transnationalism and Poetic Form, Victorian Poetry 57.4 (Winter 2019). Translated and published in French by the International Network for the Study of Lyric (http://www.lyricology.org/).
• Review of Elisa Bizzotto and Stefano Evangelista (ed) Arthur Symons: Poet, Critic, Vagabond. Comparative Critical Studies (2020).
• ‘Theorizing Queer Before Queer Theory’, Los Angeles Review of Books (Jan 2020).
• ‘Arthur Symons’ Impressionist Epistemology: Decadence and Embodied Cognition’, English Literature in Transition 63.1 (Jan 2020) 48-72.
• ‘A View from the United States:  the Crisis in the Humanities; the Liberal Arts; and English in the Military Academy’, in English: Shared Futures, ed. Robert Eaglestone and Gail Marshall (Boydell and Brewer, 2018).
• ‘Distracted Reading: Acts of Attention in the Age of the Internet’ (editorial essay), special issue of Digital Humanities Quarterly 12.2 (2018).
• ‘Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork’, co-authored with Deena Engel, Lauren Hinkson, Joanna Phillips (a collaboration with Computer Science at NYU, and with curators and conservators at the Guggenheim Museum, NYC), Digital Humanities Quarterly: 12.2 (2018).
• ‘Digitizing the Diary: Experiments in Queer Encoding’, Journal of Victorian Culture 2016 (a ‘Perspective’ piece: ‘The Perspective invites leading scholars to appraise the critical practices and traditions of Victorian studies’).
• ‘What Kind of a Critical Category is “Women’s Poetry”?’ (2003), reprinted in Nineteenth Century Poetry: Criticism and Debates, ed. Emma Mason and Jonathan Herapath (Routledge, 2016).
  
• ‘Lyric’,  in The Encyclopedia of Victorian Literature, ed. Dino F. Felluga, Pamela K. Gilbert, and Linda K. Hughes (Blackwell, 2015).
• ‘Textual Artifacts and their Digital Representations’, Digital Humanities Quarterly Vol. 9.1 (2015), n.p. (refereed online journal).
  
• Affective Form: Hardy’s Sculptural Aesthetic’ The Thomas Hardy Journal Vol. 30 (Autumn 2014), pp. 66-82 (ISSN: 0268-5418)
• ‘Decadent Forms: Parnassus in the Age of Mechanical Reproduction’, in Decadent Poetics, ed. Jason Hall and Alex Murray (Houndmills, Basingstoke: Palgrave Macmillan, 2013).
• ‘Thomas Hardy’s Poetics of Touch’, Victorian Poetry 51.2 (2013). pp. 129-45.
• ‘Desire Lines: Swinburne and Lyric Crisis’, in Algernon Charles Swinburne: Unofficial Laureate, ed. Catherine Maxwell and Stefano Evangelista (Manchester University Press, 2012).
• ‘Editing Michael Field’, in Writing Women of the Fin de Siècle: Authors of Change, ed. Adrienne E. Gavin and Carolyn W. de la L. Oulton (Houndmills, Basingstoke: Palgrave Macmillan, 2012).
• ‘The Beehive’, Victorian Review 36.2 (2010), pp. 23- 27.
• ‘Poetry’, in The Cambridge Companion to the Fin de Siècle, ed. Gail Marshall (Cambridge: Cambridge University Press, 2007), pp. 223-240.
• ‘Modernist Homage to the fin de siècle’, The Yearbook of English Studies 37.1 (2007), pp. 22-40.
• ‘Apian Aestheticism: Michael Field and the Economics of the Aesthetic’, in Michael Field and Their World, ed. Margaret Stetz and Cheryl Wilson (Rivendale Press: 2007), pp. 222-236.
• ‘Fin-de-Siècle Renaissance: Diversity, History, Modernity’, by Marion Thain and Ana Parejo Vadillo, Journal of Victorian Literature and Culture 34.2 (2006), pp. 389-403.
• ‘”Damnable Aestheticism” and the Turn to Rome: John Gray, Michael Field, and a Poetics of Conversion’, in The fin-de-siècle Poem, ed. Joseph Bristow (Ohio: Ohio University press, 2005), pp. 311-336.
• ‘The Hermeneutic and the Aesthetic: Beyond New Historicism’, editorial for Literature Compass (Blackwell) 2005.
• ‘What Kind of a Critical Category is “Women’s Poetry”?’, Victorian Poetry 41.4 (Winter, 2003), pp. 575-584.
• ‘The British Library Manuscripts of Michael Field’ (Adam Matthew, 2003); an essay on the nature of Michael Field’s life -writing, contained within the guide to Michael Field and Fin-de-Siècle Culture and Society (see ‘Editorial Work’ below).
  
• ‘”Scientific Wooing”: Constance Naden’s Marriage of Science and Poetry’, Victorian Poetry 41:1 (2003), pp. 151-169.
• ‘Constance Naden’, in Dictionary of Nineteenth-Century British Philosophers (Thoemmes, 2002).
• ‘May Kendall’, in Late Nineteenth- and Early Twentieth-Century British Women Poets, ed. William B. Thesing, Volume 240 of the Dictionary of Literary Biography (Bruccoli Clark Layman, 2001), pp. 118-123.
• ‘An “Uncomfortable Intersection”: The Meeting of Contemporary Urban and Rural Environments in the Poetry of Simon Armitage’, Worldviews 5 (2001), pp. 58-79.
• ‘Michael Field’ and Poetic Identity (London: The Eighteen Nineties Society, 2000; hardbound and paperback). Short monograph: 50 pages.
  
• ‘May Probyn’ in Victorian Women Poets, ed. William B. Thesing, Volume 199 of the Dictionary of Literary Biography (Bruccoli Clark Layman, 1998), pp. 243-252.
• ‘”Love’s Mirror”: Constance Naden and Reflections on a Feminist Poetics’,  English Literature in Transition 41:1 (1998), pp. 25-41.

Editorial Work:

• General Editor for ‘Nineteenth-Century Literature in Transition’, a new scholarly book series by Cambridge University Press.
• Editorial Board member for Global Nineteenth-Century Studies (soon to be launched by Edinburgh University Press)
• Advisory Board member for the Central Online Victorian Educator (publishing peer-reviewed Victorian material), affiliated with the North American Victorian Studies Association (2017-onwards)
• Archive Lead: The Online Diaries of Michael Field
  
• Advisory Board member for the journal Victorian Poetry
• Editorial Advisory Board (2017-onwards): Volupté: Interdisciplinary Journal of Decadent Studies.
• Editor of the Victorian Section (2003-2008): Literature Compass: on-line literature journal.
• Editor and Consultant for Archival Project: Michael Field and Fin-de-Siècle Culture and Society (Adam Matthew: 2003). 13 reels of microfilm with a 50 page guide.